In his choreographic novelty Hora, originally created for the Dortmund Ballet, Edward Clug has, for the very first time in his career, intensely looked into the music legacy of his native Romania, especially to sophisticated and meticulously reworked motifs of the series of ethno elements by the legendary string quartet Balanescu. During his extensive choreographic research, Clug re-examined the relationship between certain crucial events in our lives and the power of
rituals that are being handed down to us by the society in a more or less discerning manner. In the same evening, we will continue with Mauro Bigonzetti’s alluring choreography named Cantata, which was staged for the Lisbon ballet ensemble Gulbenkian in 2001. Bigonzetti’s unique choreographic language has the potency to evoke a whole spectrum of the Mediterranean dance Eros that will provide a much desired counterpoint to the bittersweet melodies, which cherish the beauty of life in
all its transience and sensuality.
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